{"id":7565,"date":"2026-03-15T11:50:38","date_gmt":"2026-03-15T11:50:38","guid":{"rendered":"https:\/\/izvestiyakbncran.ru\/?page_id=7565"},"modified":"2026-06-09T13:34:13","modified_gmt":"2026-06-09T12:34:13","slug":"25-1-10-en","status":"publish","type":"page","link":"https:\/\/izvestiyakbncran.ru\/index.php\/en\/25-1-10-en\/","title":{"rendered":"25.1.10 En"},"content":{"rendered":"\n<h1 class=\"wp-block-heading has-lora-font-family\" style=\"font-size:22px\"><strong>&#171;Everyone is like his own land\u2026&#187;: the symbolism of man\u2019s connection with the natural world in the poetry of M. Mokaev<\/strong><\/h1>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-b265111aea4fee3ce5349bc06f07ead3 wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\"><strong>R.A. Kerimova<\/strong><\/p>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-left is-nowrap is-layout-flex wp-container-core-group-is-layout-20193d73 wp-block-group-is-layout-flex\" style=\"border-style:none;border-width:0px;margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\">\n<p class=\"has-text-color has-link-color has-lora-font-family wp-elements-1934a6274ad67c2dd8d97ce7471e2bbb wp-block-paragraph\" style=\"color:#5b1919;font-size:12px;text-decoration:underline\"><\/p>\n\n\n\n<div class=\"wp-block-group is-horizontal is-layout-flex wp-container-core-group-is-layout-9076828a wp-block-group-is-layout-flex\" style=\"min-height:0px;margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-856cf56e wp-block-buttons-is-layout-flex\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100 is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-background-background-color has-text-color has-background has-link-color has-border-color has-custom-font-size wp-element-button\" href=\"http:\/\/izvestiyakbncran.ru\/wp-content\/uploads\/2026\/06\/10.-kerimova-1.pdf\" style=\"border-color:#5b1919;border-style:solid;border-width:2px;border-radius:8px;color:#5b1919;padding-top:0.4rem;padding-right:var(--wp--preset--spacing--40);padding-bottom:0.4rem;padding-left:var(--wp--preset--spacing--40);font-size:12px\">PDF<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:0px;width:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-273e683f\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100 is-style-outline is-style-outline--2\"><a class=\"wp-block-button__link has-background-background-color has-text-color has-background has-link-color has-border-color has-text-align-center has-custom-font-size wp-element-button\" href=\"http:\/\/izvestiyakbncran.ru\/wp-content\/uploads\/2026\/06\/10.-keri.xml\" style=\"border-color:#5b1919;border-width:2px;border-top-left-radius:8px;border-top-right-radius:8px;border-bottom-left-radius:8px;border-bottom-right-radius:8px;color:#5b1919;padding-top:0.4rem;padding-right:var(--wp--preset--spacing--40);padding-bottom:0.4rem;padding-left:var(--wp--preset--spacing--40);font-size:12px\">JATS XML<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-41ee428b6a5740c7f514a7432ff786a3 wp-block-paragraph\" style=\"border-style:none;border-width:0px;border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-left-radius:0px;border-bottom-right-radius:0px;color:#5b1919;margin-top:0;margin-right:0;margin-bottom:0;margin-left:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\"><\/p>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\"\/>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-1fd60cccc7ecc2aa87973477661a62cc wp-block-paragraph\" style=\"line-height:1.4\"><em><strong><strong>Abstract<\/strong>:<\/strong> <\/em>The article examines the images\/symbols of nature in the poetry of M. Mokaev, reveals their functional role, and explores ethnopoetics. The connection of images with the mythological representations of the people is traced. Nature, history, nation, culture and man form a close connection with the small homeland in the poetry of M. Mokaev. It has been established that the symbols of nature are significant in the poetics of M. Mokaev due to the creation and transmission of national flavor, imagery; they play an important ideological and semantic role in the work of the Balkar poet. Symbols of nature act not only as a landscape background, but enter into the very essence of the hero&#8217;s world of experiences.<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-df03325adc83c022634de6b79d43432f wp-block-paragraph\" style=\"line-height:1.4\"><\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-a0f2e25b45f0ce6d4fc1e962a627d0a7 wp-block-paragraph\" style=\"line-height:1.4\"><strong><em><strong>Keywords<\/strong>:<\/em><\/strong> nature, symbol, image, myth, archetype<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-df03325adc83c022634de6b79d43432f wp-block-paragraph\" style=\"line-height:1.4\"><\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family wp-elements-1a61af5df2361f8903dafeec1bd20f36 wp-block-paragraph\" style=\"font-size:12px;line-height:1.4\"><strong><strong>For citation<\/strong>.<\/strong> Kerimova R.A. \u00abEveryone is like his own land\u2026\u00bb: the symbolism of man\u2019s connection with the natural world in the poetry of M. Mokaev. News of the Kabardino-Balkarian Scientific Center of RAS. 2023. No. 1(111). Pp. 90\u201394. DOI: 10.35330\/1991-6639-2023-1-111-90-94<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family wp-elements-17c3333a0b1db39b7fa4a3e1a1572bc4 wp-block-paragraph\" style=\"font-size:12px;line-height:1.4\"><\/p>\n\n\n\n<details class=\"wp-block-details has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-f6740515f1c310a1199b73d30a66c87a is-layout-flow wp-container-core-details-is-layout-f488f964 wp-block-details-is-layout-flow\" style=\"font-style:normal;font-weight:700;line-height:1.5\"><summary><strong>R<\/strong>eferences<\/summary>\n<ol style=\"margin-top:0;margin-bottom:0\" class=\"wp-block-list\">\n<li style=\"font-style:normal;font-weight:400\">Gachev G. Mental&#8217;nosti narodov mira [Mentality of the peoples of the world]. Mos\u0441ow: Publishing house \u00abEskimo\u00bb, 2008. 544 p. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Mokaev M. Magomet Mokayev: Biyeniye serdtsa. Zhizn&#8217; i tvorchestvo [Heartbeat. Life and creation]. Nalchik: El&#8217;brus, 2008. 248 p. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Mokaev M.Kh. Mel&#8217;nitsa zhizni [The Mill of Life]. Verses and Poems: translation from the Balkar language. Nalchik: El&#8217;brus, 2004. 417 p. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Mokaev M.Kh. Izbrannoye. V 2-kh t. T. 2. [Selected works. In 2 volumes. V. 2.]. Nalchik: El&#8217;brus, 2001. 415 p. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Mokaev M.Kh. Svet Vselennoy [Light of the Universe]. Nalchik: El&#8217;brus, 1976. 176 p. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Kuchukova Z. Ontologicheskiy metakod kak yadro etnopoetiki: Karachayevo-balkarskaya mental&#8217;nost&#8217; v zerkale poezii [Ontological metacode as the core of ethnopoetics: KarachayBalkarian mentality in the mirror of poetry]. Nalchik: Izd-vo M. i V. Kotlyarovykh, 2005. 309 p. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Hegel G.F. Aesthetics. In 4 volumes. Vol. 3. Moscow: Iskusstvo, 1971. 620 p.<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Losev A.F. Bytiye. Imya. Kosmos [Being. Name. Space]. Moscow: Mysl&#8217;, 1993, 958 p. (In Russian)<\/li>\n<\/ol>\n<\/details>\n\n\n\n<details class=\"wp-block-details has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-e6b84fcc9c34a12eb4847db694001ea6 is-layout-flow wp-container-core-details-is-layout-9ff6af70 wp-block-details-is-layout-flow\" style=\"font-style:normal;font-weight:700;line-height:1.5\"><summary><strong>Information about the author<\/strong><\/summary>\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-1c18c512 wp-block-group-is-layout-flex\" style=\"min-height:0px;margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--40)\">\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><strong>Kerimova Rauzat Abdullakhovna<\/strong>, Candidate of Philological Sciences, Senior Researcher, Sector of Karachay-Balkar Literature, Institute of Humanitarian Researches \u2013 branch of the Kabardino-Balkarian Scientific Center of the Russian Academy of Sciences;<br>360000, Russia, Nalchik, 18 Pushkin street;<br>K.roza07@mail.ru, ORCID: https:\/\/orcid.org\/0000-0003-1964-4511<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><\/p>\n<\/div>\n<\/details>\n","protected":false},"excerpt":{"rendered":"<p>&#171;Everyone is like his own land\u2026&#187;: the symbolism of man\u2019s connection with the natural world in the poetry of M. Mokaev R.A. Kerimova Abstract: The article examines the images\/symbols of nature in the poetry of M. Mokaev, reveals their functional role, and explores ethnopoetics. The connection of images with the mythological representations of the people [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"wp-custom-template-home","meta":{"footnotes":""},"class_list":["post-7565","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>25.1.10 En - \u0418\u0417\u0412\u0415\u0421\u0422\u0418\u042f \u041a\u0410\u0411\u0410\u0420\u0414\u0418\u041d\u041e-\u0411\u0410\u041b\u041a\u0410\u0420\u0421\u041a\u041e\u0413\u041e \u041d\u0410\u0423\u0427\u041d\u041e\u0413\u041e \u0426\u0415\u041d\u0422\u0420\u0410 \u0420\u0410\u041d\u00bb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/izvestiyakbncran.ru\/index.php\/en\/25-1-10-en\/\" \/>\n<meta property=\"og:locale\" content=\"ru_RU\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"25.1.10 En - \u0418\u0417\u0412\u0415\u0421\u0422\u0418\u042f \u041a\u0410\u0411\u0410\u0420\u0414\u0418\u041d\u041e-\u0411\u0410\u041b\u041a\u0410\u0420\u0421\u041a\u041e\u0413\u041e \u041d\u0410\u0423\u0427\u041d\u041e\u0413\u041e \u0426\u0415\u041d\u0422\u0420\u0410 \u0420\u0410\u041d\u00bb\" \/>\n<meta property=\"og:description\" content=\"&#171;Everyone is like his own land\u2026&#187;: the symbolism of man\u2019s connection with the natural world in the poetry of M. 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Mokaev R.A. Kerimova Abstract: The article examines the images\/symbols of nature in the poetry of M. Mokaev, reveals their functional role, and explores ethnopoetics. 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