{"id":7563,"date":"2026-03-15T11:49:32","date_gmt":"2026-03-15T11:49:32","guid":{"rendered":"https:\/\/izvestiyakbncran.ru\/?page_id=7563"},"modified":"2026-06-09T13:33:19","modified_gmt":"2026-06-09T12:33:19","slug":"25-1-9-en","status":"publish","type":"page","link":"https:\/\/izvestiyakbncran.ru\/index.php\/en\/25-1-9-en\/","title":{"rendered":"25.1.9 En"},"content":{"rendered":"\n<h1 class=\"wp-block-heading has-lora-font-family\" style=\"font-size:22px\"><strong>Metric analysis of Betal Kuashev&#8217;s poetry: the specifics of the development of syllabic-tonic meters in the poet&#8217;s work<\/strong><\/h1>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-2707594648dffeb7e72def7868b4e4b6 wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\"><strong>F.S. Beytuganova<\/strong><\/p>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-left is-nowrap is-layout-flex wp-container-core-group-is-layout-20193d73 wp-block-group-is-layout-flex\" style=\"border-style:none;border-width:0px;margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\">\n<p class=\"has-text-color has-link-color has-lora-font-family wp-elements-1934a6274ad67c2dd8d97ce7471e2bbb wp-block-paragraph\" style=\"color:#5b1919;font-size:12px;text-decoration:underline\"><\/p>\n\n\n\n<div class=\"wp-block-group is-horizontal is-layout-flex wp-container-core-group-is-layout-9076828a wp-block-group-is-layout-flex\" style=\"min-height:0px;margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-856cf56e wp-block-buttons-is-layout-flex\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100 is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-background-background-color has-text-color has-background has-link-color has-border-color has-custom-font-size wp-element-button\" href=\"http:\/\/izvestiyakbncran.ru\/wp-content\/uploads\/2026\/06\/9.-bejtuganova-otr.pdf\" style=\"border-color:#5b1919;border-style:solid;border-width:2px;border-radius:8px;color:#5b1919;padding-top:0.4rem;padding-right:var(--wp--preset--spacing--40);padding-bottom:0.4rem;padding-left:var(--wp--preset--spacing--40);font-size:12px\">PDF<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:0px;width:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-273e683f\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100 is-style-outline is-style-outline--2\"><a class=\"wp-block-button__link has-background-background-color has-text-color has-background has-link-color has-border-color has-text-align-center has-custom-font-size wp-element-button\" href=\"http:\/\/izvestiyakbncran.ru\/wp-content\/uploads\/2026\/06\/9.-bejt.xml\" style=\"border-color:#5b1919;border-width:2px;border-top-left-radius:8px;border-top-right-radius:8px;border-bottom-left-radius:8px;border-bottom-right-radius:8px;color:#5b1919;padding-top:0.4rem;padding-right:var(--wp--preset--spacing--40);padding-bottom:0.4rem;padding-left:var(--wp--preset--spacing--40);font-size:12px\">JATS XML<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-41ee428b6a5740c7f514a7432ff786a3 wp-block-paragraph\" style=\"border-style:none;border-width:0px;border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-left-radius:0px;border-bottom-right-radius:0px;color:#5b1919;margin-top:0;margin-right:0;margin-bottom:0;margin-left:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\"><\/p>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\"\/>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-e31098dcab0e46524a7c4a970e5ddb24 wp-block-paragraph\" style=\"line-height:1.4\"><em><strong><strong>Abstract<\/strong>:<\/strong> <\/em>The purpose of the article is to study the metrics of lyrical and lyric-epic works of the Kabardin poet-innovator Betal Ibragimovich Kuashev. The main attention is focused on the artistic features of poems, ballads and poems, in particular \u2013 the technique of versification. The relevance of the study is due to the need to fill the gap in the study of the specifics of the Kuashev poetic style, issues of the poet&#8217;s individual authorship, identifying the variety of artistic means and techniques innovative for national poetry, used by him in different genres. The scientific novelty lies in the fact that for the first time the problems of the metric organization of B. Kuashev&#8217;s works are considered. In the course of the study, the poetic meters that have received the greatest development in the poet&#8217;s lyrics are determined, the mechanisms of their functioning in the context under consideration are identified. Several scientific methods were used in the article, including structural analysis, descriptive and statistical methods, observation, synthesis, etc. The theoretical base of the article includes the works of North Caucasian literary critics, which to some extent address issues relevant to our study: essays and articles by Z.M. Naloev, H.G. Karmokov, L.B. Khavzhokova and others. The results obtained can be used in the study of the history of Adyghe literature, the creative heritage of B. Kuashev, as well as in conducting research in the field of national philology, writing qualifying and other kinds of research papers.<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-df03325adc83c022634de6b79d43432f wp-block-paragraph\" style=\"line-height:1.4\"><\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-c96269257f62b2a1b51375dbb3019203 wp-block-paragraph\" style=\"line-height:1.4\"><strong><em><strong>Keywords<\/strong>:<\/em><\/strong> Betal Kuashev, poetry, verse, ballad, poem, poetics, metrics, individual author&#8217;s style<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-df03325adc83c022634de6b79d43432f wp-block-paragraph\" style=\"line-height:1.4\"><\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family wp-elements-3db8e2e908c702b588fa07c5977adadd wp-block-paragraph\" style=\"font-size:12px;line-height:1.4\"><strong><strong>For citation<\/strong>.<\/strong> Beytuganova F. S. Metric analysis of Betal Kuashev&#8217;s poetry: the specifics of the development of syllabic-tonic meters in the poet&#8217;s work. <em>News of the Kabardino-Balkarian Scientific Center of RAS<\/em>. 2023. No. 1(111). Pp. 80\u201389. DOI: 10.35330\/1991-6639-2023-1-111-80-89<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family wp-elements-17c3333a0b1db39b7fa4a3e1a1572bc4 wp-block-paragraph\" style=\"font-size:12px;line-height:1.4\"><\/p>\n\n\n\n<details class=\"wp-block-details has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-adb23c273ae606ec58766458a833815f is-layout-flow wp-container-core-details-is-layout-f488f964 wp-block-details-is-layout-flow\" style=\"font-style:normal;font-weight:700;line-height:1.5\"><summary><strong>R<\/strong>eferences<\/summary>\n<ol style=\"margin-top:0;margin-bottom:0\" class=\"wp-block-list\">\n<li style=\"font-style:normal;font-weight:400\">Naloev Z.M. <em>Tvorchestvo Betala Kuasheva (1920\u20131957) <\/em>[The works of Betal Kuashev (1920\u20131957)]. Ocherki istorii kabardinskoj literatury [Essays on the history of Kabardin literature]. Nal&#8217;chik: El&#8217;brus, 1968. \u0420p. 260\u2013279. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Kuashev B.I. <em>Sobranie sochinenij: v 2-h tomah<\/em> [Collected works: In 2 volumes]. Nalchik: Kabardin book publishing house, 1958. Vol. 1. 416 p. (In Circassian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Kuashev B.I. Stihotvoreniya i poemy [Verses and poems]. Nalchik: Elbrus, 1996. 304 p. (In Circassian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Kuashev B.I. Stihi i poemy [Verses and poems]. Nalchik: Elbrus, 1983. 168 p. (In Circassian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Kuashev B.I. Sobranie sochinenij: v 2-h tomah [Collected works: In 2 volumes]. Nalchik: Kabardin book publishing house, 1966. Vol. 2. 204 p. (In Circassian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Karmokov Kh.G. Nasledie poeta [Poet&#8217;s legacy]. Kuashev B.I. <em>Stihotvoreniya i poemy<\/em> [Verses and poems]. Nalchik: Elbrus, 1996. Pp. 279\u2013296. (In Circassian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Khavzhokova L.B., Beytuganova F.S. <em>O nekotoryh osobennostyah hudozhestvennoj organizacii poeticheskogo teksta v tvorchestve Betala Kuasheva<\/em> [About some features of the artistic organization of the poetic text in the work of Betal Kuashev]. Vestnik KabardinoBalkarskogo instituta gumanitarnyh issledovanij [Bulletin of the Kabardino-Balkarian Institute for Humanitarian Researches]. 2021. No. 3(50). Pp. 137\u2013143. (In Russian)<\/li>\n<\/ol>\n<\/details>\n\n\n\n<details class=\"wp-block-details has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-a966d7da09cec76f7963fed495ca59b7 is-layout-flow wp-container-core-details-is-layout-9ff6af70 wp-block-details-is-layout-flow\" style=\"font-style:normal;font-weight:700;line-height:1.5\"><summary><strong>Information about the author<\/strong><\/summary>\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-1c18c512 wp-block-group-is-layout-flex\" style=\"min-height:0px;margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--40)\">\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><strong>Beytuganova Fatimat Safarovna<\/strong>, postgraduate student of the Scientific and Educational Center of KBSC of RAS;<br>360010, Russia, Nalchik, 2 Balkarov street;<br>beytfatima@gmail.ru<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><\/p>\n<\/div>\n<\/details>\n","protected":false},"excerpt":{"rendered":"<p>Metric analysis of Betal Kuashev&#8217;s poetry: the specifics of the development of syllabic-tonic meters in the poet&#8217;s work F.S. Beytuganova Abstract: The purpose of the article is to study the metrics of lyrical and lyric-epic works of the Kabardin poet-innovator Betal Ibragimovich Kuashev. The main attention is focused on the artistic features of poems, ballads [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"wp-custom-template-home","meta":{"footnotes":""},"class_list":["post-7563","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>25.1.9 En - \u0418\u0417\u0412\u0415\u0421\u0422\u0418\u042f \u041a\u0410\u0411\u0410\u0420\u0414\u0418\u041d\u041e-\u0411\u0410\u041b\u041a\u0410\u0420\u0421\u041a\u041e\u0413\u041e \u041d\u0410\u0423\u0427\u041d\u041e\u0413\u041e \u0426\u0415\u041d\u0422\u0420\u0410 \u0420\u0410\u041d\u00bb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/izvestiyakbncran.ru\/index.php\/en\/25-1-9-en\/\" \/>\n<meta property=\"og:locale\" content=\"ru_RU\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"25.1.9 En - \u0418\u0417\u0412\u0415\u0421\u0422\u0418\u042f \u041a\u0410\u0411\u0410\u0420\u0414\u0418\u041d\u041e-\u0411\u0410\u041b\u041a\u0410\u0420\u0421\u041a\u041e\u0413\u041e \u041d\u0410\u0423\u0427\u041d\u041e\u0413\u041e \u0426\u0415\u041d\u0422\u0420\u0410 \u0420\u0410\u041d\u00bb\" \/>\n<meta property=\"og:description\" content=\"Metric analysis of Betal Kuashev&#8217;s poetry: the specifics of the development of syllabic-tonic meters in the poet&#8217;s work F.S. 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