{"id":6122,"date":"2026-01-21T12:48:23","date_gmt":"2026-01-21T12:48:23","guid":{"rendered":"https:\/\/izvestiyakbncran.ru\/?page_id=6122"},"modified":"2026-06-02T10:51:17","modified_gmt":"2026-06-02T09:51:17","slug":"27-6-37-en","status":"publish","type":"page","link":"https:\/\/izvestiyakbncran.ru\/index.php\/en\/27-6-37-en\/","title":{"rendered":"27.6.37 En"},"content":{"rendered":"\n<h1 class=\"wp-block-heading has-lora-font-family\" style=\"font-size:24px\"><strong>Artistic originality of M.S. Guliev&#8217;s work (Review analysis)<\/strong><\/h1>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-1 wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\"><strong>A.D. Atabieva<\/strong><\/p>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-left is-nowrap is-layout-flex wp-container-core-group-is-layout-20193d73 wp-block-group-is-layout-flex\" style=\"border-style:none;border-width:0px;margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\">\n<p class=\"has-text-color has-link-color has-lora-font-family wp-elements-2 wp-block-paragraph\" style=\"color:#5b1919;font-size:12px;text-decoration:underline\"><\/p>\n\n\n\n<div class=\"wp-block-group is-horizontal is-layout-flex wp-container-core-group-is-layout-9076828a wp-block-group-is-layout-flex\" style=\"min-height:0px;margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-856cf56e wp-block-buttons-is-layout-flex\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100 is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-background-background-color has-text-color has-background has-link-color has-border-color has-custom-font-size wp-element-button\" href=\"http:\/\/izvestiyakbncran.ru\/wp-content\/uploads\/2026\/06\/37-atabieva.pdf\" style=\"border-color:#5b1919;border-style:solid;border-width:2px;border-radius:8px;color:#5b1919;padding-top:0.4rem;padding-right:var(--wp--preset--spacing--40);padding-bottom:0.4rem;padding-left:var(--wp--preset--spacing--40);font-size:12px\">PDF<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:0px;width:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-273e683f\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100 is-style-outline is-style-outline--2\"><a class=\"wp-block-button__link has-background-background-color has-text-color has-background has-link-color has-border-color has-text-align-center has-custom-font-size wp-element-button\" href=\"https:\/\/journals.rcsi.science\/1991-6639\/article\/xml\/378609\" style=\"border-color:#5b1919;border-width:2px;border-top-left-radius:8px;border-top-right-radius:8px;border-bottom-left-radius:8px;border-bottom-right-radius:8px;color:#5b1919;padding-top:0.4rem;padding-right:var(--wp--preset--spacing--40);padding-bottom:0.4rem;padding-left:var(--wp--preset--spacing--40);font-size:12px\">JATS XML<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-3 wp-block-paragraph\" style=\"border-style:none;border-width:0px;border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-left-radius:0px;border-bottom-right-radius:0px;color:#5b1919;margin-top:0;margin-right:0;margin-bottom:0;margin-left:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\"><\/p>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\"\/>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-4 wp-block-paragraph\" style=\"line-height:1.4\"><em><strong><strong>Abstract<\/strong><\/strong>. <\/em>This article provides a comprehensive analysis of the creative legacy of Balkar writer Majid Samatovich Guliyev, which until recently had not been the subject of literary criticism. The work is generally introductory in nature, as the writer&#8217;s entire artistic output is difficult to encompass within the limited scope of a single scholarly publication.<br><strong>Aim<\/strong>. This study is to provide a comprehensive understanding of the author&#8217;s experience in creating poetry and prose texts, the specifics of his artistic thinking, poetic, stylistic, and genre preferences, figurative and expressive tropes, and the dominant themes of his works.<br><strong>Results<\/strong>. In accordance with the set objectives, the study aims to analyze the key creative concepts and systematically examine the structural, stylistic, figurative, and thematic features of M.S. Guliyev&#8217;s poems, verses, fables, short stories, novellas, and plays. The article also includes brief biographical information highlighting important stages in the writer&#8217;s life and public activities. The author&#8217;s published books and collections are listed chronologically, and significant works are examined by genre.<br><strong>Conclusions<\/strong>. The results of this study allow us to reveal the vibrant creative individuality of M.S. Guliyev and to understand the specific intentionality evident in his works. The writer&#8217;s active artistic practice, focusing on finding effective methods for reflecting and interpreting reality, has contributed to the expansion of potential genre forms and thematic directions in national literature.<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-5 wp-block-paragraph\" style=\"line-height:1.4\"><\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-6 wp-block-paragraph\" style=\"line-height:1.4\"><strong><em><strong>Keywords<\/strong>:<\/em><\/strong> M.S. Guliev, writer&#8217;s creative individuality, biographical information, specifics of artistic thinking, intentionality, differentiation of genre forms<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-7 wp-block-paragraph\" style=\"line-height:1.4\"><\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family wp-elements-8 wp-block-paragraph\" style=\"font-size:12px;line-height:1.4\"><strong><strong>For citation<\/strong>.<\/strong> Atabieva A.D. Artistic originality of M.S. Guliev&#8217;s work (Review analysis). News of the Kabardino-Balkarian Scientific Center of RAS. 2025. Vol. 27. No. 6. Pp. 444\u2013453. DOI: 10.35330\/1991-6639-2025-27-6-444-453<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family wp-elements-9 wp-block-paragraph\" style=\"font-size:12px;line-height:1.4\"><\/p>\n\n\n\n<details class=\"wp-block-details has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-10 is-layout-flow wp-container-core-details-is-layout-f488f964 wp-block-details-is-layout-flow\" style=\"font-style:normal;font-weight:700;line-height:1.5\"><summary><strong>R<\/strong>eferences<\/summary>\n<ol style=\"margin-top:0;margin-bottom:0\" class=\"wp-block-list\">\n<li class=\"has-lora-font-family\" style=\"font-style:normal;font-weight:400\">Berberov B. Guliev Mazhit Samatovich (stat<code>ya) [Guliev Mazhit Samatovich (article)] \/\/ Biobibliograficheskiy slovar<\/code> \u201cPisateli Kabardino-Balkarii: XIX \u2013 konecz 80-x gg. XX v.\u201d. Nalchik: El-Fa, 2003. 443 p. Pp. 149\u2013152 (In Russian)<\/li>\n\n\n\n<li class=\"has-lora-font-family\" style=\"font-style:normal;font-weight:400\">Guliev M. Tal chybyk (Ivovyy prut) [The willow rod]. Nalchik: Elbrus, 1968. 93 p. (In the Balkar language)<\/li>\n\n\n\n<li class=\"has-lora-font-family\" style=\"font-style:normal;font-weight:400\">Guliev M. Ketmegiz, zurnukla! (Ostavaytes&#8217;, zhuravli!) [Stay, cranes!]. Nalchik: Elbrus, 104 p. (In the Balkar language)<\/li>\n\n\n\n<li class=\"has-lora-font-family\" style=\"font-style:normal;font-weight:400\">Guliev M. Ilichni tuuduklary (Potomki Ilicha) [Descendants of Ilyich]. Nalchik: Elbrus, 69 p. (In the Balkar language)<\/li>\n\n\n\n<li class=\"has-lora-font-family\" style=\"font-style:normal;font-weight:400\">Guliev M. Kyunnyu kyzy (Doch solncza) [Daughter of the sun]. Nalchik: Elbrus, 1975. 92 p. (In the Balkar language)<\/li>\n\n\n\n<li class=\"has-lora-font-family\" style=\"font-style:normal;font-weight:400\">Guliev M. Kushnu derti (Mest orla). Povest [The eagle&#8217;s revenge]. Nalchik: Elbrus, 1975. 185 p. (In the Balkar language)<\/li>\n\n\n\n<li class=\"has-lora-font-family\" style=\"font-style:normal;font-weight:400\">Guliev M. Ak gyulle (Belye czvety). Rubai, stihi, poema [White flowers]. Nalchik: Elbrus, 92 p. (In the Balkar language)<\/li>\n\n\n\n<li class=\"has-lora-font-family\" style=\"font-style:normal;font-weight:400\">Guliev M. Ak atly (Belyy vsadnik). Yumoristicheskaya povest i rasskazy [White horseman]. Nalchik: Elbrus, 1984. 206 p. (In the Balkar language)<\/li>\n\n\n\n<li class=\"has-lora-font-family\" style=\"font-style:normal;font-weight:400\">Guliev M. Khozyayka zolotogo dvortsa. Stikhi i skazka dlya detey [Mistress of golden palace]. Nalchik: Elbrus, 1987. 28 p. (In Russian)<\/li>\n\n\n\n<li class=\"has-lora-font-family\" style=\"font-style:normal;font-weight:400\">Guliev M. Zhaxanim otnu zhesirleri (Zalozhniki adskoy dorogi) [Hostages of infernal road]. Nalchik: Elbrus, 2001. 216 p. (In the Balkar language)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Atabieva A.D. Evolyutsiya balkarskoy detskoy literatury (problemy zhanrovogo razvitiya) [Evolution of Balkar children&#8217;s literature (problems of genre development)]. Nalchik: Izdatel&#8217;skiy otdel KBIGI, 2010. 180 p. (In Russian)<\/li>\n<\/ol>\n<\/details>\n\n\n\n<details class=\"wp-block-details has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-11 is-layout-flow wp-container-core-details-is-layout-9ff6af70 wp-block-details-is-layout-flow\" style=\"font-style:normal;font-weight:700;line-height:1.5\"><summary><strong>Information about the author<\/strong><\/summary>\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-1c18c512 wp-block-group-is-layout-flex\" style=\"min-height:0px;margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--40)\">\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><strong>Asiyat D. Atabieva<\/strong>, Candidate of Philological Sciences, Senior Research Fellow of the Karachay-Balkar Literature Sector, Institute of Humanitarian Researches \u2013 branch of the Kabardino-Balkarian Scientific Center of the Russian Academy of Sciences;<br>bolatovaatabieva@mail.ru, ORCID: https:\/\/orcid.org\/0000-0003-2384-6108, SPIN-code: 7303-0391<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><\/p>\n<\/div>\n<\/details>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artistic originality of M.S. Guliev&#8217;s work (Review analysis) A.D. Atabieva Abstract. This article provides a comprehensive analysis of the creative legacy of Balkar writer Majid Samatovich Guliyev, which until recently had not been the subject of literary criticism. The work is generally introductory in nature, as the writer&#8217;s entire artistic output is difficult to encompass [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"wp-custom-template-home","meta":{"footnotes":""},"class_list":["post-6122","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>27.6.37 En - \u0418\u0417\u0412\u0415\u0421\u0422\u0418\u042f \u041a\u0410\u0411\u0410\u0420\u0414\u0418\u041d\u041e-\u0411\u0410\u041b\u041a\u0410\u0420\u0421\u041a\u041e\u0413\u041e \u041d\u0410\u0423\u0427\u041d\u041e\u0413\u041e \u0426\u0415\u041d\u0422\u0420\u0410 \u0420\u0410\u041d\u00bb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/izvestiyakbncran.ru\/index.php\/en\/27-6-37-en\/\" \/>\n<meta property=\"og:locale\" content=\"ru_RU\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"27.6.37 En - \u0418\u0417\u0412\u0415\u0421\u0422\u0418\u042f \u041a\u0410\u0411\u0410\u0420\u0414\u0418\u041d\u041e-\u0411\u0410\u041b\u041a\u0410\u0420\u0421\u041a\u041e\u0413\u041e \u041d\u0410\u0423\u0427\u041d\u041e\u0413\u041e \u0426\u0415\u041d\u0422\u0420\u0410 \u0420\u0410\u041d\u00bb\" \/>\n<meta property=\"og:description\" content=\"Artistic originality of M.S. Guliev&#8217;s work (Review analysis) A.D. Atabieva Abstract. This article provides a comprehensive analysis of the creative legacy of Balkar writer Majid Samatovich Guliyev, which until recently had not been the subject of literary criticism. 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