{"id":4969,"date":"2025-11-16T14:50:01","date_gmt":"2025-11-16T14:50:01","guid":{"rendered":"https:\/\/izvestiyakbncran.ru\/?page_id=4969"},"modified":"2026-06-04T13:18:55","modified_gmt":"2026-06-04T12:18:55","slug":"27-5-26-en","status":"publish","type":"page","link":"https:\/\/izvestiyakbncran.ru\/index.php\/en\/27-5-26-en\/","title":{"rendered":"27.5.26 En"},"content":{"rendered":"\n<h2 class=\"wp-block-heading has-lora-font-family\" style=\"font-size:22px\"><strong>Forms of comedy in the works of Z. Zokaev and M. Attoev<\/strong><\/h2>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-1 wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\"><strong>R.A. Kerimova<\/strong><\/p>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-left is-nowrap is-layout-flex wp-container-core-group-is-layout-20193d73 wp-block-group-is-layout-flex\" style=\"border-style:none;border-width:0px;margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\">\n<p class=\"has-text-color has-link-color has-lora-font-family wp-elements-2 wp-block-paragraph\" style=\"color:#5b1919;font-size:12px;text-decoration:underline\"><\/p>\n\n\n\n<div class=\"wp-block-group is-horizontal is-layout-flex wp-container-core-group-is-layout-9076828a wp-block-group-is-layout-flex\" style=\"min-height:0px;margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-856cf56e wp-block-buttons-is-layout-flex\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100 is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-background-background-color has-text-color has-background has-link-color has-border-color has-custom-font-size wp-element-button\" href=\"http:\/\/izvestiyakbncran.ru\/wp-content\/uploads\/2026\/06\/26-kerimova-26.pdf\" style=\"border-color:#5b1919;border-style:solid;border-width:2px;border-radius:8px;color:#5b1919;padding-top:0.4rem;padding-right:var(--wp--preset--spacing--40);padding-bottom:0.4rem;padding-left:var(--wp--preset--spacing--40);font-size:12px\">PDF<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:0px;width:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-273e683f\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100 is-style-outline is-style-outline--2\"><a class=\"wp-block-button__link has-background-background-color has-text-color has-background has-link-color has-border-color has-text-align-center has-custom-font-size wp-element-button\" href=\"https:\/\/journals.rcsi.science\/1991-6639\/article\/xml\/351240\" style=\"border-color:#5b1919;border-width:2px;border-top-left-radius:8px;border-top-right-radius:8px;border-bottom-left-radius:8px;border-bottom-right-radius:8px;color:#5b1919;padding-top:0.4rem;padding-right:var(--wp--preset--spacing--40);padding-bottom:0.4rem;padding-left:var(--wp--preset--spacing--40);font-size:12px\">JATS XML<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-3 wp-block-paragraph\" style=\"border-style:none;border-width:0px;border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-left-radius:0px;border-bottom-right-radius:0px;color:#5b1919;margin-top:0;margin-right:0;margin-bottom:0;margin-left:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\"><\/p>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\"\/>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-4 wp-block-paragraph\" style=\"line-height:1.4\"><em><strong><strong>Abstract<\/strong>:<\/strong> <\/em>The article for the first time explores the category of comedy and the features of the poetics in the short prose works of Z. Zokaev and M. Attoev. The relevance of the study is due to the insufficient coverage of the specific features of the comedy genre in Balkarian literary criticism. The focus is on identifying the originality of the ideological content (hypocrisy, greed, bribery, and reverence for rank) and the artistic features of the works.<br><strong>Aim<\/strong>. This study aims to analyze the use of &#171;words of humor&#187; in the works of Z. Zokaev and M. Attoev. In this regard, the research provides an objective representation of the creative output of these authors and contributes to a more complete understanding of the development of the comedy genre in Karachay-Balkar literature.<br><strong>Materials and methods<\/strong>. The study focuses on stories, comedies, interludes, and jokes by Z. Zokayev and M. Attoyev. Typological, structural-semantic, and comparative-historical methods are used.<br><strong>Results.<\/strong> The specific functioning of the &#171;comic word&#187; in comedy is explored, revealing that it defines one of the most significant features of these writers&#8217; creative style. We analyze the role of various literary devices, such as puns, comic metaphors, sarcasm, wit, mockery, hyperbole, and dialectal inclusions, as well as the literal interpretation of phraseological units, successfully implemented in comedies, interludes, and jokes.<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-5 wp-block-paragraph\" style=\"line-height:1.4\"><\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-6 wp-block-paragraph\" style=\"line-height:1.4\"><strong><em><strong>Keywords<\/strong><\/em><\/strong><em>:<\/em> comedy, genre, prose, poetics, Z. Zokaev, M. Attoev, humor, Balkar literature<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family wp-elements-7 wp-block-paragraph\" style=\"font-size:12px;line-height:1.4\"><strong><strong>For citation<\/strong>.<\/strong> Kerimova R.A. Forms of comedy in the works of Z. Zokaev and M. Attoev. <em>News of the Kabardino-Balkarian Scientific Center of RAS<\/em>. 2025. Vol. 27. No. 5. Pp. 316\u2013324. DOI: 10.35330\/1991-6639-2025-27-5-316-324<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family wp-elements-8 wp-block-paragraph\" style=\"font-size:12px;line-height:1.4\"><\/p>\n\n\n\n<details class=\"wp-block-details has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-9 is-layout-flow wp-container-core-details-is-layout-f488f964 wp-block-details-is-layout-flow\" style=\"font-style:normal;font-weight:700;line-height:1.5\"><summary><strong>R<\/strong>eferences<\/summary>\n<ol style=\"margin-top:0;margin-bottom:0\" class=\"wp-block-list\">\n<li style=\"font-style:normal;font-weight:400\">Utizheva L.B. The Role and Place of Songs and Couplets in the Comedies of B. K. Utizhev. Nauchnyy dialog. 2016. \u2116 3(51). Pp. 146\u2013157. EDN: VRGTFV. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Urusbieva F.A. Put&#8217; k zhanru [The Path to the Genre]. Nalchik: Elbrus, 1972. 173 p. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Zokayev Z. Kiyeu [Son-in-law]. Nalchik: Elbrus, 1963. 76 p. (In Balkar.)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Ivanova L.P. Logicheskiy analiz yazyka: yazykovyye mekhanizmy komizma [Linguocultural aspects of the comic (towards the formulation of the problem)] Rossiyskaya akad. nauk, In-t yazykoznaniya; otv. red. N.D. Arutyunova. Moscow: Indrik, 2007. Pp. 560\u2013569. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Zokayev Z. Zhashaudan alynngan suratchyk&#187;la [Portraits taken from life]. Nalchik: Pechatnyy dvor, 2013. 131 p. (In Balkar.)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Kuchmezova L.B. Lexical-semantic, lexical-grammatical and word-formation features of vocabulary units of the Tsok dialect of the Karachay-Balkar language. Vestnik KBIGI. 2019. \u2116 4\u20132 (43). Pp. 72\u201377. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Ulakov M.Z., Zhashuev R.B. On the influence of colloquial speech on the literary norm of the Karachay-Balkar language. News of the Kabardino-Balkarian Scientific Center of RAS. 2011. No. 5(43). Pp. 251\u2013256. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Attoyev M. Kyulyurge syuyemisiz? [Want to laugh?]. Nalchik: Elbrus, 1991. 241 p. (In Balkar)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Attoyev M. Bylany tanyymysyz? [Are you familiar with them?] Nalchik: Elbrus, 2000. 116 p. (In Balkar.)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Borev Yu. Non-finito. Estetika. Teoriya literatury: Entsiklopedicheskiy slovar&#8217; terminov. Sost. Yu.B. Borev [Non-finito. Esthetics. Theory of Literature: Encyclopedic Dictionary of<br>Terms. Comp. Yu.B. Borev]. Moscow, 2003. P. 276. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Borev Yu.B. Natsional&#8217;nyye osobennosti yumora [National characteristics of humor] Problemy razvitiya literatur narodov SSSR. Moscow: Nauka, 1964. Pp. 358\u2013385. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Sarbasheva A. M. Artistic means of displaying the comic in Balkar drama: comedy writing by Zhagafar Tokumaev. Oriental Studies. 2014. No. 3(14). Pp. 157\u2013162. (In Russian)<\/li>\n<\/ol>\n<\/details>\n\n\n\n<details class=\"wp-block-details has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-10 is-layout-flow wp-container-core-details-is-layout-9ff6af70 wp-block-details-is-layout-flow\" style=\"font-style:normal;font-weight:700;line-height:1.5\"><summary><strong>Information about the author<\/strong><\/summary>\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-1c18c512 wp-block-group-is-layout-flex\" style=\"min-height:0px;margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--40)\">\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><strong>Rauzat A. Kerimova<\/strong>, Candidate of Philological Sciences, Senior Researcher of the Sector of Karachay-Balkar Literature, Institute of Humanitarian Researches \u2013 branch of the Kabardino-Balkarian Scientific Center of the Russian Academy of Sciences;<br>18 Pushkin street, Nalchik, 360000, Russia;<br>K.roza07@mail.ru, ORCID: https:\/\/orcid.org\/0000-0003-1964-4511, SPIN-code: 1548-5430<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><\/p>\n<\/div>\n<\/details>\n","protected":false},"excerpt":{"rendered":"<p>Forms of comedy in the works of Z. Zokaev and M. Attoev R.A. Kerimova Abstract: The article for the first time explores the category of comedy and the features of the poetics in the short prose works of Z. Zokaev and M. Attoev. The relevance of the study is due to the insufficient coverage of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"wp-custom-template-home","meta":{"footnotes":""},"class_list":["post-4969","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>27.5.26 En - \u0418\u0417\u0412\u0415\u0421\u0422\u0418\u042f \u041a\u0410\u0411\u0410\u0420\u0414\u0418\u041d\u041e-\u0411\u0410\u041b\u041a\u0410\u0420\u0421\u041a\u041e\u0413\u041e \u041d\u0410\u0423\u0427\u041d\u041e\u0413\u041e \u0426\u0415\u041d\u0422\u0420\u0410 \u0420\u0410\u041d\u00bb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/izvestiyakbncran.ru\/index.php\/en\/27-5-26-en\/\" \/>\n<meta property=\"og:locale\" content=\"ru_RU\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"27.5.26 En - \u0418\u0417\u0412\u0415\u0421\u0422\u0418\u042f \u041a\u0410\u0411\u0410\u0420\u0414\u0418\u041d\u041e-\u0411\u0410\u041b\u041a\u0410\u0420\u0421\u041a\u041e\u0413\u041e \u041d\u0410\u0423\u0427\u041d\u041e\u0413\u041e \u0426\u0415\u041d\u0422\u0420\u0410 \u0420\u0410\u041d\u00bb\" \/>\n<meta property=\"og:description\" content=\"Forms of comedy in the works of Z. 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Zokaev and M. Attoev R.A. Kerimova Abstract: The article for the first time explores the category of comedy and the features of the poetics in the short prose works of Z. Zokaev and M. Attoev. 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