{"id":16101,"date":"2026-09-07T21:45:59","date_gmt":"2026-09-07T20:45:59","guid":{"rendered":"https:\/\/izvestiyakbncran.ru\/?page_id=16101"},"modified":"2026-09-09T10:24:26","modified_gmt":"2026-09-09T09:24:26","slug":"28-4-14-en","status":"publish","type":"page","link":"https:\/\/izvestiyakbncran.ru\/index.php\/en\/28-4-14-en\/","title":{"rendered":"28.4.14 En"},"content":{"rendered":"\n<h2 class=\"wp-block-heading has-lora-font-family\" style=\"font-size:22px\"><strong>Oyus Uyanov&#8217;s poetic individuality<\/strong><\/h2>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-1 wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\"><strong>A.M. Guzieva (Sarbasheva)<\/strong><\/p>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-left is-nowrap is-layout-flex wp-container-core-group-is-layout-20193d73 wp-block-group-is-layout-flex\" style=\"border-style:none;border-width:0px;margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\">\n<p class=\"has-text-color has-link-color has-lora-font-family wp-elements-2 wp-block-paragraph\" style=\"color:#5b1919;font-size:12px;text-decoration:underline\"><\/p>\n\n\n\n<div class=\"wp-block-group is-horizontal is-layout-flex wp-container-core-group-is-layout-9076828a wp-block-group-is-layout-flex\" style=\"min-height:0px;margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-856cf56e wp-block-buttons-is-layout-flex\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<div style=\"--wp--block-button--width: 100;\" class=\"wp-block-button is-style-outline has-custom-width wp-block-button__width wp-block-button__width-100 is-style-outline--1\"><a class=\"wp-block-button__link has-background-background-color has-text-color has-background has-link-color has-border-color has-custom-font-size wp-element-button\" href=\"http:\/\/izvestiyakbncran.ru\/wp-content\/uploads\/2026\/09\/korr-guzieva-sarbasheva.pdf\" style=\"border-color:#5b1919;border-style:solid;border-width:2px;border-radius:8px;color:#5b1919;padding-top:0.4rem;padding-right:var(--wp--preset--spacing--40);padding-bottom:0.4rem;padding-left:var(--wp--preset--spacing--40);font-size:12px\">PDF<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:0px;width:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-273e683f\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div style=\"--wp--block-button--width: 100;\" class=\"wp-block-button is-style-outline has-custom-width wp-block-button__width wp-block-button__width-100 is-style-outline--2\"><a class=\"wp-block-button__link has-background-background-color has-text-color has-background has-link-color has-border-color has-text-align-center has-custom-font-size wp-element-button\" href=\"http:\/\/izvestiyakbncran.ru\/wp-content\/uploads\/2026\/06\/01-conceptual.xml\" style=\"border-color:#5b1919;border-width:2px;border-top-left-radius:8px;border-top-right-radius:8px;border-bottom-left-radius:8px;border-bottom-right-radius:8px;color:#5b1919;padding-top:0.4rem;padding-right:var(--wp--preset--spacing--40);padding-bottom:0.4rem;padding-left:var(--wp--preset--spacing--40);font-size:12px\">JATS XML<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-3 wp-block-paragraph\" style=\"border-style:none;border-width:0px;border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-left-radius:0px;border-bottom-right-radius:0px;color:#5b1919;margin-top:var(--wp--preset--spacing--20);margin-right:0;margin-bottom:var(--wp--preset--spacing--20);margin-left:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\"><\/p>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\"\/>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-4 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);line-height:1.4\"><em><strong><strong>Abstract<\/strong><\/strong>. <\/em>The article explores the literary work of the Balkar poet Oyus Khasanovich Uyanov, a figure insufficiently covered in national literary studies. This fact determines the relevance of the<br>research. The study offers a pioneering literary insight into O. Uyanov\u2019s poetry, thereby establishing an objective and comprehensive picture of his artistic legacy. The paper outlines biographical information and examines the author\u2019s spiritual heritage, which helps to form an integrated literary profile of the artist. Textual observations and conclusions are reinforced with illustrative examples, making the study highly compelling.<br><strong>Aim<\/strong>. The study aims to define Uyanov&#8217;s individual style, his worldview, and the core themes of his lyrics in order to comprehensively characterize the poet&#8217;s unique artistic voice.<br><strong>Materials and methods<\/strong>. The subject matter of this research consists of O. Uyanov\u2019s poetry and epic poems. In order to accomplish the set goal, historical-biographical, literary, typological, comparative, and hermeneutical methods are applied.<br><strong>Results<\/strong>. Through a textual analysis centered on the idiostyle and the author&#8217;s symbolic markerimages, the essential traits of the poet&#8217;s unique artistic identity have been revealed. The findings illustrate the original nature of Uyanov\u2019s artistic world, marked by deep reflection, a strong meditative essence, and a dramatic worldview, alongside the key thematic currents that jointly determine his creative persona.<br><strong>Conclusions<\/strong>. The inseparable bond between the poet&#8217;s life and his work imbues O. Uyanov\u2019s poetry with a distinct realism and artistic novelty, which underscore the uniqueness of his creative self-expression.<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-5 wp-block-paragraph\" style=\"line-height:1.4\"><\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-6 wp-block-paragraph\" style=\"line-height:1.4\"><strong><em><strong>Keywords<\/strong><\/em><\/strong><em>:<\/em> O. Uyanov, Balkar poetry, poetic individuality, individual style, motif, image, spiritual heritage<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-7 wp-block-paragraph\" style=\"line-height:1.4\"><\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family wp-elements-8 wp-block-paragraph\" style=\"font-size:12px;line-height:1.4\"><strong><strong>For citation<\/strong>.<\/strong> Guzieva (Sarbasheva) A.M. Oyus Uyanov&#8217;s poetic individuality. <em>News of the Kabardino-Balkarian Scientific Center of RAS<\/em>. 2026. Vol. 28. No. 4. Pp. 176\u2013185. DOI: 10.35330\/1991-6639-2026-28-4-176-185<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family wp-elements-9 wp-block-paragraph\" style=\"font-size:12px;line-height:1.4\"><\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family wp-elements-10 wp-block-paragraph\" style=\"font-size:12px;line-height:1.4\">\u00a9&nbsp;&nbsp;Guzieva (Sarbasheva) A.M., 2026<\/p>\n\n\n\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-8e2b6fff wp-block-group-is-layout-flex\" style=\"margin-top:var(--wp--preset--spacing--20);padding-top:0;padding-bottom:0\">\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"80\" height=\"28\" src=\"https:\/\/izvestiyakbncran.ru\/wp-content\/uploads\/2026\/03\/image.png\" alt=\"\" class=\"wp-image-7229\"\/><\/figure>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family wp-elements-11 wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:0;font-size:12px\">Content is available under license&nbsp;<a href=\"http:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\" rel=\"noreferrer noopener\">Creative Commons Attribution 4.0 License<\/a><\/p>\n<\/div>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family wp-elements-12 wp-block-paragraph\" style=\"font-size:12px;line-height:1.4\"><\/p>\n\n\n\n<details class=\"wp-block-details has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-13 is-layout-flow wp-container-core-details-is-layout-f488f964 wp-block-details-is-layout-flow\" style=\"font-style:normal;font-weight:700;line-height:1.5\"><summary><strong>R<\/strong>eferences<\/summary>\n<ol style=\"margin-top:0;margin-bottom:0\" class=\"wp-block-list\">\n<li style=\"font-style:normal;font-weight:400\">Atabiyeva A.D. The &#171;Caucasian thesaurus&#187; or \u201cconceptosphere of mountaineer\u201d in the S. Babaev&#8217;s short stories (\u201cThe father&#8217;s book\u201d). <em>News of the Kabardino-Balkarian Scientific Center of RAS<\/em>. 2024. Vol. 26. No. 5. P\u0440. 273\u2013282. DOI: 10.35330\/1991-6639-2024-26-5-273-282. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Atabiyeva A.D. Atistic originality of M.S. Guliev&#8217;s work (review analysis). <em>News of the Kabardino-Balkarian Scientific Center of RAS<\/em>. 2025. Vol. 27. No. 6. \u0420\u0440. 444\u2013453. DOI: 10.35330\/1991-6639-2025-27-6-444-453. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Kerimova R.A. Artistic heritage of Khazhimusa Kuliev. <em>Bulletin of the KabardinoBalkarian Institute for Humanitarian Research<\/em>. 2024. No. 2(61). \u0420\u0440. 72\u201377. DOI: 10.31007\/2306-5826-2024-2-61-72-77. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Kerimova R.A. The dialectic of the tragic and the comic in the collection of stories by Hajimurat Akkaev \u201cRed rock\u201d. Issues of National Literature. 2025. No. 3(19). \u0420\u0440. 14\u201320. DOI: 10.25587\/2782-6635-2025-3-14-20. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Kerimova R.A. Forms of comedy in the works of Z. Zokaev and M. Attoev. N<em>ews of the Kabardino-Balkarian Scientific Center of RAS<\/em>. 2025. Vol. 27. No. 5. \u0420\u0440. 316\u2013324. DOI: 10.35330\/1991-6639-2025-27-5-316-324. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Sarbasheva A.M. Ideological and artistic features of the works of Zufar Sarbashev. <em>Bulletin of the Kabardino-Balkarian Institute for Humanitarian Research<\/em>. 2025. No. 1(64). \u0420\u0440. 67\u201372.<br>DOI: 10.31007\/2306-5826-2025-1-64-67-72. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Mottayeva S.M. <em>Ol izlegen nasyp (Schast&#8217;ye, kotoroye on iskal). Predisl. k sb. O. Uyanova \u00abChal zhauun\u00bb (\u00abSedoy dozhd&#8217;\u00bb)<\/em> [The happiness he was seeking. Preface to O. Uyanov\u2019s<br>collection \u201cGray Rain\u201d]. Nalchik: El&#8217;brus, 1991. \u0420\u0440. 5\u20138. (In Balkar)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Kazharova I.A. <em>Modusy khudozhestvennosti<\/em> [Modes of artistry]. Nalchik: Pechatnyy dvor, 176 \u0440. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Sarbasheva A.M. Uyanov Oyus K\u043dasanovich. Biobibliograficheskiy slovar \u201cPisateli Kabardino-Balkarii: XIX \u2013 konecz 80-x gg. XX v.\u201d. Nalchik: El-Fa, 2003. \u0420p. 367\u2013368. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Goguyeva L. <em>Poet, nastavnik, grazhdanin <\/em>[Poet, mentor, citizen]. Zol&#8217;skiye vesti. 1998. March 26. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Sarbasheva A.M. <em>Tyuzlyuknyu kyuchyune iynana (Verya v silu spravedlivosti)<\/em> [Believing in the Power of Justice]. Mingi Tau. 2009. No. 6. \u0420\u0440. 159\u2013164. (In Balkar)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Uyanov O. Kh. <em>Taulany ba\u0161lary (Ver\u0161iny gor) <\/em>[Mountain tops]. Nalchik: Elbrus, 1978. 68 \u0440. (In Balkar)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Uyanov O.Kh. <em>Byzyngy tartyula (Napevy Bezengi)<\/em> [Chants of Bezengi]. Nalchik: Elbrus, 78 \u0440. (In Balkar)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Uyanov O.Kh. <em>Chal zhauun (Sedoy dozhd&#8217;) <\/em>[Gray rain]. Nalchik: Elbrus, 1991. 120 \u0440. (In Balkar)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\"><em>Teoriya literatury v 2 tomakh. <\/em>Tom 1. \/ pod redaktsiyey N.D. Tamarchenko. [Literary theory in 2 volumes. Vol. 1. \/ edited by N.D. Tamarchenko] Moscow: Akademiya, 2007. 512 \u0440. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Uyanov O.Kh. <em>Sabiy zhyllarymy unutulmazlyk suratlary (khaparla: \u201cKysyr iynek\u201d, \u201cBagyr taz\u201d, \u201cYore nartyukh\u201d)<\/em> [Unforgettable pictures of my childhood (stories: \u201cThe Barren Cow\u201d, \u201cThe Copper Basin\u201d, \u201cTall Corn\u201d]. Shaudan. 2009. No. 9. March 4. (In Balkar)<\/li>\n<\/ol>\n<\/details>\n\n\n\n<details class=\"wp-block-details has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-14 is-layout-flow wp-container-core-details-is-layout-9ff6af70 wp-block-details-is-layout-flow\" style=\"font-style:normal;font-weight:700;line-height:1.5\"><summary><strong>Information about the author<\/strong><\/summary>\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-1c18c512 wp-block-group-is-layout-flex\" style=\"min-height:0px;margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--40)\">\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><strong>Alena M. Guzieva (Sarbasheva)<\/strong>, Doctor of Philological Sciences, Head of the Karachay-Balkar Literature Sector, Institute of Humanitarian Researches \u2013 branch of the Kabardino-Balkarian Scientific Center of the Russian Academy of Sciences;<br>18, Pushkin street, Nalchik, 360000, Russia;<br>alenasarb@mail.ru, ORCID: https:\/\/orcid.org\/0000-0002-7457-9823, SPIN-code: 5693-2683<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><\/p>\n<\/div>\n<\/details>\n\n\n\n<details class=\"wp-block-details has-foreground-color has-text-color has-link-color has-lora-font-family wp-elements-15 is-layout-flow wp-block-details-is-layout-flow\" style=\"font-size:14px\"><summary><strong>Funding<\/strong><\/summary>\n<p class=\"wp-block-paragraph\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\">The study was performed without external funding.<\/p>\n<\/details>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Oyus Uyanov&#8217;s poetic individuality A.M. Guzieva (Sarbasheva) Abstract. The article explores the literary work of the Balkar poet Oyus Khasanovich Uyanov, a figure insufficiently covered in national literary studies. This fact determines the relevance of theresearch. The study offers a pioneering literary insight into O. Uyanov\u2019s poetry, thereby establishing an objective and comprehensive picture of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"wp-custom-template-home","meta":{"footnotes":""},"class_list":["post-16101","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>28.4.14 En - \u0418\u0417\u0412\u0415\u0421\u0422\u0418\u042f \u041a\u0410\u0411\u0410\u0420\u0414\u0418\u041d\u041e-\u0411\u0410\u041b\u041a\u0410\u0420\u0421\u041a\u041e\u0413\u041e \u041d\u0410\u0423\u0427\u041d\u041e\u0413\u041e \u0426\u0415\u041d\u0422\u0420\u0410 \u0420\u0410\u041d\u00bb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/izvestiyakbncran.ru\/index.php\/en\/28-4-14-en\/\" \/>\n<meta property=\"og:locale\" content=\"ru_RU\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"28.4.14 En - \u0418\u0417\u0412\u0415\u0421\u0422\u0418\u042f \u041a\u0410\u0411\u0410\u0420\u0414\u0418\u041d\u041e-\u0411\u0410\u041b\u041a\u0410\u0420\u0421\u041a\u041e\u0413\u041e \u041d\u0410\u0423\u0427\u041d\u041e\u0413\u041e \u0426\u0415\u041d\u0422\u0420\u0410 \u0420\u0410\u041d\u00bb\" \/>\n<meta property=\"og:description\" content=\"Oyus Uyanov&#8217;s poetic individuality A.M. 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