{"id":10377,"date":"2026-04-07T09:10:43","date_gmt":"2026-04-07T08:10:43","guid":{"rendered":"https:\/\/izvestiyakbncran.ru\/?page_id=10377"},"modified":"2026-06-19T10:18:29","modified_gmt":"2026-06-19T09:18:29","slug":"25-6-35-en","status":"publish","type":"page","link":"https:\/\/izvestiyakbncran.ru\/index.php\/en\/25-6-35-en\/","title":{"rendered":"25.6.35 En"},"content":{"rendered":"\n<h1 class=\"wp-block-heading has-lora-font-family\" style=\"font-size:22px\"><strong>The evolution of creativity of Adyghe writers of the 20th century<\/strong><\/h1>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-1 wp-block-paragraph\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\"><strong><strong>Yu.M.<\/strong> Tkhagazitov<\/strong><\/p>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-left is-nowrap is-layout-flex wp-container-core-group-is-layout-20193d73 wp-block-group-is-layout-flex\" style=\"border-style:none;border-width:0px;margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\">\n<p class=\"has-text-color has-link-color has-lora-font-family wp-elements-2 wp-block-paragraph\" style=\"color:#5b1919;font-size:12px;text-decoration:underline\"><\/p>\n\n\n\n<div class=\"wp-block-group is-horizontal is-layout-flex wp-container-core-group-is-layout-9076828a wp-block-group-is-layout-flex\" style=\"min-height:0px;margin-top:0;margin-bottom:0;padding-top:0;padding-bottom:0\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-856cf56e wp-block-buttons-is-layout-flex\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100 is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-background-background-color has-text-color has-background has-link-color has-border-color has-custom-font-size wp-element-button\" href=\"http:\/\/izvestiyakbncran.ru\/wp-content\/uploads\/2026\/06\/35.-tkha.pdf\" style=\"border-color:#5b1919;border-style:solid;border-width:2px;border-radius:8px;color:#5b1919;padding-top:0.4rem;padding-right:var(--wp--preset--spacing--40);padding-bottom:0.4rem;padding-left:var(--wp--preset--spacing--40);font-size:12px\">PDF<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:0px;width:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-273e683f\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100 is-style-outline is-style-outline--2\"><a class=\"wp-block-button__link has-background-background-color has-text-color has-background has-link-color has-border-color has-text-align-center has-custom-font-size wp-element-button\" href=\"http:\/\/izvestiyakbncran.ru\/wp-content\/uploads\/2026\/06\/34.-thag.xml\" style=\"border-color:#5b1919;border-width:2px;border-top-left-radius:8px;border-top-right-radius:8px;border-bottom-left-radius:8px;border-bottom-right-radius:8px;color:#5b1919;padding-top:0.4rem;padding-right:var(--wp--preset--spacing--40);padding-bottom:0.4rem;padding-left:var(--wp--preset--spacing--40);font-size:12px\">JATS XML<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-3 wp-block-paragraph\" style=\"border-style:none;border-width:0px;border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-left-radius:0px;border-bottom-right-radius:0px;color:#5b1919;margin-top:0;margin-right:0;margin-bottom:0;margin-left:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\"><\/p>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\"\/>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-4 wp-block-paragraph\" style=\"line-height:1.4\"><em><strong><strong>Abstract<\/strong>.<\/strong> <\/em>The article analyzes the origins of the formation of Kabardian new written literature of the 20\u201330s. The characteristic and main trends in the development of Kabardian poetry are considered (Bekmurz\u0430 Pachev, Tut Borukaev, Ali Shogentsukov, Alim Keshokov, Liuan Gubzhokov, etc.). The goal is to reveal artistic achievements and contradictions in the literary process itself, the work of individual writers and works of art. As a result of the study, it was revealed that the literary process was determined by a complex political and cultural synthesis, ideologization underlying artistic thinking. The centuries-old logic of the development of national literature should be considered as an evolutionary process that fit into Soviet globalization, opening up new ways for the further development of Kabardian literature in the conditions of modern cultural universalization.<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-5 wp-block-paragraph\" style=\"line-height:1.4\"><\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-6 wp-block-paragraph\" style=\"line-height:1.4\"><strong><em><strong>Keywords<\/strong>:<\/em><\/strong> Kabardian literature of the 20\u201330s, evolution, aesthetic relevance, ideologization<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-7 wp-block-paragraph\" style=\"line-height:1.4\"><\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family wp-elements-8 wp-block-paragraph\" style=\"font-size:12px;line-height:1.4\"><strong><strong>For citation<\/strong>.<\/strong> Tkhagazitov Yu.M. The evolution of creativity of Adyghe writers of the 20th century. <em>News of the KabardinoBalkarian Scientific Center of RAS<\/em>. 2023. No. 6(116). Pp. 375\u2013383. DOI: 10.35330\/1991-6639-2023-6-116-375-383<\/p>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-lora-font-family wp-elements-9 wp-block-paragraph\" style=\"font-size:12px;line-height:1.4\"><\/p>\n\n\n\n<details class=\"wp-block-details has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-10 is-layout-flow wp-container-core-details-is-layout-f488f964 wp-block-details-is-layout-flow\" style=\"font-style:normal;font-weight:700;line-height:1.5\"><summary><strong>R<\/strong>eferences<\/summary>\n<ol style=\"margin-top:0;margin-bottom:0\" class=\"wp-block-list\">\n<li style=\"font-style:normal;font-weight:400\">Siyukhov S. <em>Voskreseniye iz mertvykh<\/em> [Resurrection from the Dead]. Maykop: Adygeyskoye knizhnoye izd-vo, 1991. 189 p. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Keshokov A. <em>Stikhotvoreniya i poemy<\/em> [Poems and poems]. Mos\u0441ow: Goslitizdat, 1957. 336 p. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Tkhagazitov Z. <em>Izbrannoye: Stikhi, poemy<\/em> [Favorites: Poems, poems]. Nal&#8217;chik: El&#8217;brus, 414 p. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Tkhagazitov Yu. Ethnocultural foundations of the novel \u201cThe Broken Horseshoe\u201d by A. Keshokov. <em>Vestnik Kabardino-Balkarskogo instituta gumanitarnykh issledovaniy<\/em> [Bulletin of the Kabardino-Balkarian Institute for Humanitarian Research]. No. 1(52). 2022. Pp. 93\u201398.<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Gubzhokov L. Zhivu dlya zhivykh. <em>Zhizn&#8217; i tvorchestvo<\/em> [I live for the living. Life and creativity]. Nal&#8217;chik: El&#8217;brus, 2013. 176 p. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Bitsuyev A. <em>Pozyvnyye zhizni. Stikhotvoreniya. Ballady. Poemy<\/em> [Call signs of life. Poems.]. Nal&#8217;chik: El&#8217;brus, 2000. 223 p. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Tkhagazitov Yu.M., Tolgurov T.Z., Khavzhokova L.B. The evolution of Kabardian prose of the 20th century (to the 100th anniversary of the statehood of the Kabardino-Balkaria). <em>Vestnik Akademii nauk Chechenskoy Respubliki <\/em>[Bulletin of the Academy of Sciences of the Chechen Republic]. 2021. No. 3(54). Pp. 123\u2013127. DOI: 10.25744\/vestnik.2021.54.3.01<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Keshokov A. <em>Slomannaya podkova<\/em> [Broken horseshoe]. Moscow: Mol. Gvardiya, 1973. 527 p. (In Russian)<\/li>\n\n\n\n<li style=\"font-style:normal;font-weight:400\">Lermontov M. <em>Sil&#8217;ney stradaniy rokovykh. Stikhotvoreniya. Poemy<\/em> [Stronger than fatal suffering. Poems]. Moscow: Voyennoye izd-vo, 1992. 558 p. (In Russian)<\/li>\n<\/ol>\n<\/details>\n\n\n\n<details class=\"wp-block-details has-foreground-color has-text-color has-link-color has-lora-font-family has-extra-small-font-size wp-elements-11 is-layout-flow wp-container-core-details-is-layout-9ff6af70 wp-block-details-is-layout-flow\" style=\"font-style:normal;font-weight:700;line-height:1.5\"><summary><strong>Information about the author<\/strong><\/summary>\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-1c18c512 wp-block-group-is-layout-flex\" style=\"min-height:0px;margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--40)\">\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><strong>Tkhagazitov Yuri Mukhamedovich<\/strong>, Doctor of Philology, Leading Researcher, Institute of Humanitarian Researches \u2013 branch of Kabardino-Balkarian Scientific Center of the Russian Academy of Sciences;<br>360000, Russia, Nalchik, 18 Pushkin street;<br>yutkhag@gmail.com, ORCID: https:\/\/orcid.org\/0000-0001-5566-9156<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-style:normal;font-weight:400\"><\/p>\n<\/div>\n<\/details>\n","protected":false},"excerpt":{"rendered":"<p>The evolution of creativity of Adyghe writers of the 20th century Yu.M. Tkhagazitov Abstract. The article analyzes the origins of the formation of Kabardian new written literature of the 20\u201330s. The characteristic and main trends in the development of Kabardian poetry are considered (Bekmurz\u0430 Pachev, Tut Borukaev, Ali Shogentsukov, Alim Keshokov, Liuan Gubzhokov, etc.). The [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"wp-custom-template-home","meta":{"footnotes":""},"class_list":["post-10377","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>25.6.35 En - \u0418\u0417\u0412\u0415\u0421\u0422\u0418\u042f \u041a\u0410\u0411\u0410\u0420\u0414\u0418\u041d\u041e-\u0411\u0410\u041b\u041a\u0410\u0420\u0421\u041a\u041e\u0413\u041e \u041d\u0410\u0423\u0427\u041d\u041e\u0413\u041e \u0426\u0415\u041d\u0422\u0420\u0410 \u0420\u0410\u041d\u00bb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/izvestiyakbncran.ru\/index.php\/en\/25-6-35-en\/\" \/>\n<meta property=\"og:locale\" content=\"ru_RU\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"25.6.35 En - \u0418\u0417\u0412\u0415\u0421\u0422\u0418\u042f \u041a\u0410\u0411\u0410\u0420\u0414\u0418\u041d\u041e-\u0411\u0410\u041b\u041a\u0410\u0420\u0421\u041a\u041e\u0413\u041e \u041d\u0410\u0423\u0427\u041d\u041e\u0413\u041e \u0426\u0415\u041d\u0422\u0420\u0410 \u0420\u0410\u041d\u00bb\" \/>\n<meta property=\"og:description\" content=\"The evolution of creativity of Adyghe writers of the 20th century Yu.M. Tkhagazitov Abstract. The article analyzes the origins of the formation of Kabardian new written literature of the 20\u201330s. The characteristic and main trends in the development of Kabardian poetry are considered (Bekmurz\u0430 Pachev, Tut Borukaev, Ali Shogentsukov, Alim Keshokov, Liuan Gubzhokov, etc.). 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